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<channel>
	<title>Stereo Exchange</title>
	<link>https://stereoexchange.dk</link>
	<description>Stereo Exchange</description>
	<pubDate>Sun, 22 Feb 2026 18:54:13 +0000</pubDate>
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	<item>
		<title>About</title>
				
		<link>https://stereoexchange.dk/About</link>

		<pubDate>Thu, 30 Nov 2017 22:54:41 +0000</pubDate>

		<dc:creator>Stereo Exchange</dc:creator>

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		<description>
Stereo Exchange is an international artist run initiative faithful to blurring the preconceived notions between artist and discipline. The idea was formed organically through curiosity and led to the launch of our exhibition space. 

With the enormous generosity from artists, institutions and the Danish arts foundation we show works from visual artists and craftsman in a genre bending mix from across the continents. 

Most of the works chosen are pre-existing, so as to emphasise the melding of disciplines and give visitors a unique opportunity to see the dialogue between materials, practices and space.Stereo Exchange is directed, curated and organised day to day by artists.


Gallery Dimensions:

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L = 500cm&#38;nbsp; / W = 450cm&#38;nbsp; / H = 470cm&#38;nbsp;

Stereo Exchange exhibition space is located in Frederiksberg (Copenhagen), and was founded in 2018, The exhibition space is now in the center of Copenhagen..

Stereo Exchange has been is supported by
the Danish Arts Foundation, Frederiksberg Fonden &#38;amp; Danmarks Nationalbanks Jubilæumsfond af 1968 &#38;amp; Ny Carlsberg Fondet



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		<title>Contact</title>
				
		<link>https://stereoexchange.dk/Contact</link>

		<pubDate>Thu, 30 Nov 2017 22:49:52 +0000</pubDate>

		<dc:creator>Stereo Exchange</dc:creator>

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		<description>

Stereo Exchange Map
youandme@stereoexchange.dk



︎︎︎

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		<title>Stereo @ Hello the roses</title>
				
		<link>https://stereoexchange.dk/Stereo-Hello-the-roses</link>

		<pubDate>Sun, 22 Feb 2026 18:54:13 +0000</pubDate>

		<dc:creator>Stereo Exchange</dc:creator>

		<guid isPermaLink="true">https://stereoexchange.dk/Stereo-Hello-the-roses</guid>

		<description>


Not Just A Few Are Called, But EveryoneAstrid Edith, Torben Hardenberg, Pipaluk LakeHello, The Roses curated by Stereo Exchange
Opening December 12, 2025






Moving out through the breakers and into the warmth, there are signs of darting sharks that have emerged from the cold dark depths of the trench into the bright shallows to search for colourful prey, their survival on an aesthetic scale.

The cold-blooded glass eyes roll back in her head so as not to be blinded from the overworld＊s distant reactor; she feels and sense her way through the soft warm waters with such finite and intricate receptors, perceiving the electric pulses of all the colorful sun-drenched sea life (prey), if the fragile little charlatan＊s twitch of a muscle, or change in rhythm by struggling to open the gills to filter in some needed oxygen, even through the blinding glass-like liquid she knows where to find sustenance. With the grace of blood through veins she races through the oyster-laden pearls and over the reefs full of glistening bottles strewn overboard by lazy hominids that skate overhead. The shark winces as she feels the tumbled glass edges rasp over her sleek grey skin; as that pain passes these objects reflect more strife of blinding flashes of the edges through the back of her eyes.

In these seconds, the prey gives itself away for the last time; its gills give one more pull as doom moves in, but life was beautiful, no rent, no meaningless tasks, just all life and all living.

She strikes with all her power, and darts so suddenly down to the depths with the meal, past sunken plunder of gold and opals. She finds a hidden place to ruminate and feel the prey squirm within her jaws.In the first most enjoyable bite, which she had pined for, as she bares down with her massive jaws she senses something spear and crack between her set of razorblade-like mandibles, her eyes roll back to front and open as wide as they can be, as blood starts to drain from her mouth and filter her vision, and ever so helplessly she can no longer clasp her prey.

A shard of glass that she unknowingly enveloped with the snack in the warm safe waters above had broken through her gum and into her mind.

By happenstance, the feeble tropical creature escapes from the jaws of its captor; there is no time to celebrate as it＊s ejected into an unknown world of darkness. With no strength, it turns back to the shark and watches it slowly disappear and contort lifelessly. Our prey＊s beauty is useless, the luminescence of the shallows is all but a myth here. She takes one last gulp of water, and the fragile gills filter it for a final time, letting go is its only solace as this brutal dance concludes.

Can we know our own end so simply? Can we choose to let go or are we called? Are we in this together? Maybe not just a few are called, but everyone,- Owen Armour



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@stereoexchangecph#contemporaryart#art#artistrunspace#projectspaceSupported by the Danish Arts Foundation, Frederiksberg Fonden &#38;amp; Ny Carlsbergfondets</description>
		
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		<title>Yuri Lee (KOR)</title>
				
		<link>https://stereoexchange.dk/Yuri-Lee-KOR</link>

		<pubDate>Thu, 20 Nov 2025 12:22:57 +0000</pubDate>

		<dc:creator>Stereo Exchange</dc:creator>

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		<description>


YURI LEE (KOR)

Stereo Exchange is excited to present the Korean artist and mathematician Yuri Lee, who will present all new works in a solo presentation entitled “Sun Diorama”.
 &#60;img width="4501" height="3000" width_o="4501" height_o="3000" data-src="https://freight.cargo.site/t/original/i/75f1b19456875f3a419b42c6e30277131133b63bb13f0c7e8a717e774cdead2f/_MG_6344.jpg" data-mid="240883438" border="0"  src="https://freight.cargo.site/w/1000/i/75f1b19456875f3a419b42c6e30277131133b63bb13f0c7e8a717e774cdead2f/_MG_6344.jpg" /&#62;
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Lee’s work beautifully intertwines mathematics and softness, offering a unique perspective on robotics and human empathy. Her creations breathe with human-like movements, adding a sense of fragility to the future of robotics and the softness that can eventuate. “Sun Diorama” explores the complexities of consciousness and the drawbacks of our living and aging exterior.Why would one want to be sentient?Can a breath exist without thought?Lee’s work challenges these ideas through delicate, thought-provoking installations. Additionally, the exhibition will feature her evolving Augmented Reality (AR) work, a sculptural and conceptual playground that transforms reality through a smart tablet, projecting imaginative objects onto sculptural perches. 
WHAT - Sun DioramaWHO -&#38;nbsp; Yuri Lee (KOR)OPENING - 6th of February 2025TIME - 16:00 - 20:00ON VIEW - 6th of February 2025 until the 5th of March 2025OPEN - Wednesday, Thursday, Friday &#38;amp; every second Saturday from 11am to 4pm&#38;nbsp;or by appointmentCONTACT - @stereoexchangecph or owen@stereoexchange.dkWHERE - KL1, Vester Voldgade 110, 1552 København, DK - 
——This exhibition has been supported by:Statens Kunstfond / The Danish Arts Foundation @statenskunstfond


#YURILEE@stereoexchangecph@armoured_owen
#contemporaryart#art#artistrunspace#projectspace








@stereoexchangecph#contemporaryart#art#artistrunspace#projectspaceSupported by the Danish Arts Foundation, Frederiksberg Fonden &#38;amp; Ny CarlsbergfondetsSTEREO EXCHANGE - kl1, Vester Voldgade 110, 1552 København,See map


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		<title>Nikolaj Phillipsen (DK)</title>
				
		<link>https://stereoexchange.dk/Nikolaj-Phillipsen-DK</link>

		<pubDate>Tue, 14 Jan 2025 22:22:21 +0000</pubDate>

		<dc:creator>Stereo Exchange</dc:creator>

		<guid isPermaLink="true">https://stereoexchange.dk/Nikolaj-Phillipsen-DK</guid>

		<description>


Nikolaj Phillipsen (DK)

Through motifs drawn from botanical illustrations, historical depictions of bodily processes, and contemporary 
everyday tools, carved into casting plywood boards, a visual vocabulary is created to explore how our cognitive 
abilities and body are shaped through subtle processes and extensions into a world beyond ourselves. 
A world of objects, tools, plants, and microorganisms..
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This exhibition &#38;amp; residency has been supported by:Statens Kunstfond@statenskunstfond


&#60;img width="595" height="842" width_o="595" height_o="842" data-src="https://freight.cargo.site/t/original/i/c2d04ff999e80c47720bc8893c211d2feede16bd95cd872a1ab2ecae4ce3b567/Artboard-3.jpg" data-mid="224762705" border="0"  src="https://freight.cargo.site/w/595/i/c2d04ff999e80c47720bc8893c211d2feede16bd95cd872a1ab2ecae4ce3b567/Artboard-3.jpg" /&#62;





&#38;nbsp;WHO - &#38;nbsp;Nikolaj Phillipsen (DK)
TIME - 16:00 - 18:00
OPEN - Saturdays 13 to 16 or by appointment

CONTACT - @stereoexchangecph or youandme@stereoexchange.dkWHERE - kl1, Vester Voldgade 110, 1552 København, See map
















e ap

@stereoexchangecph#contemporaryart#art#artistrunspace#projectspaceSupported by the Danish Arts Foundation, Frederiksberg Fonden &#38;amp; Ny CarlsbergfondetsSTEREO EXCHANGE - kl1, Vester Voldgade 110, 1552 København,See map


</description>
		
	</item>
		
		
	<item>
		<title>Owen Paul Armour (AUS/DK)</title>
				
		<link>https://stereoexchange.dk/Owen-Paul-Armour-AUS-DK</link>

		<pubDate>Thu, 04 Jul 2024 11:48:33 +0000</pubDate>

		<dc:creator>Stereo Exchange</dc:creator>

		<guid isPermaLink="true">https://stereoexchange.dk/Owen-Paul-Armour-AUS-DK</guid>

		<description>


Utopia Exists, But Now It's OverOwen Paul Armour (AUS/DK)Opened Wednesday 29th of MAY 2024
Art Matter Festival 2024Exhibition dates29.05.24 - 28.06.24
&#60;img width="3000" height="4500" width_o="3000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/338e5431c49d7f459f10c3df45d33f5f5769110070e519f8536aa7f9424775c6/_MG_5843.jpg" data-mid="214115214" border="0"  src="https://freight.cargo.site/w/1000/i/338e5431c49d7f459f10c3df45d33f5f5769110070e519f8536aa7f9424775c6/_MG_5843.jpg" /&#62;At the Art Matter Festival 2024, Stereo Exchange will present an exhibition and open studio of the artist and its artistic director Owen Paul Armour, with new works produced from his transformative residency and exhibition at MMCA Korea 2023, supported by the Danish Arts Foundation.Experience Armour’s pieces, "While Standing Up 'Utopia Exists but Now It's Over'" / "While Laying Down 'We Bury What We Steal'," where the ancestral echoes of Neanderthals converge with the modern human. Armour crafts a narrative in mediums that bridge epochs, weaving empathy and despair into tools and weapons, reflecting on current and historical neurodiversity and the fluidity of attention spans against the tapestry of his own life.The diptych "Confucianism Implies I Talk Too Much" channels stark contrasts which are inspired by the phrase "Cheer up Korea! Have a nice day." Emblazoned on the paper cups at the water cooler in Leeum Museum lobby, this ordinary phrase offering words of encouragement, are recast to confront complacency, merging optimism with the gravity of existence and ways of dealing with internal battles externally.These compelling works, alongside new sculptural and acoustic installations conceived post-Korea, prove to reveal the deep impact of Owen Paul Armour’s South Korean experiences on his art and life.The Artist would like to thank:Park Heejung, Hamin Kim, Toke Martins, Anne Kølbæk Iversen, Kevin Malcolm, Sora Kim, Frederik Hardvendel, Yoonseo Kim, Heejoo Hong, Miru Kim, Ida Schyum , Mads Bartholin Herred Johnsen &#38;amp; kristine tillge lund.This exhibition &#38;amp; residency has been supported by:Statens Kunstfond / The Danish Arts Foundation@statenskunstfondMMCA Korea (National Museum of modern &#38;amp; contemporary art)@mmcakoreaStatens Vaerksteder for Kunst@statensvaerkstederCeramic Creative Center (Korea)@ceramic_creative_centerArt Matter Festival@artmatterfestivalI forbindelse med Art Matter Festival 2024 vil Stereo Exchange præsentere en udstilling og open studio med stedets kunstneriske og kuratoriske leder Owen Paul Armour. Udstillingen viser nye værker, der er produceret som følge af Armours transformative residency og udstilling på MMCA Korea 2023, støttet af Statens Kunstfond.Kom forbi og oplev Armours værker While Standing Up ‘Utopia Exists but Now it’s Over’&#38;nbsp; / While Laying Down ‘We Bury What We Steal’, hvor neandertaleres forfædrende ekkoer smelter sammen med det moderne menneske. Armour former en fortælling i medier, der danner bro over epoker, og væver empati og desperation ind i værktøjer og våben, der reflekterer over neurodiversitet såvel aktuelt som historisk og koncentrationsevnens flydende kvalitet med hans eget liv som bagtæppe.Ditykonet Confucianism Implies I Talk Too Much kanaliserer stærke kontraster inspireret af udtrykket “Cheer up Korea! Have a nice day.” Denne almindelige vending, påtrykt papirkopperne ved vandkøleren i lobbyen på Leeum Museum som en opmuntring, er i værket omformet til i stedet at konfrontere selvtilfredsheden, idet værket blander optimisme med eksistensens alvor og måder at håndtere interne kampe eksternt.&#38;nbsp; &#38;nbsp;Disse stærke værker - vist sammen med nye skulpturelle og akustiske installationer, der er udformet efter opholdet i Korea, viser det dybe indtryk oplevelserne i Sydkorea har haft på Owen Paul Armours kunst og liv.



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&#60;img width="3000" height="4500" width_o="3000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/a3af74034bbcc3981358baad33a69036eee4ecc0ceff56322afd3788cbad2330/_MG_5845.jpg" data-mid="214115216" border="0"  src="https://freight.cargo.site/w/1000/i/a3af74034bbcc3981358baad33a69036eee4ecc0ceff56322afd3788cbad2330/_MG_5845.jpg" /&#62;

&#60;img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/c39469b983291c26d95a0e94d4a893d5d342e28dc0f038e33efa543dc5556a26/_MG_5852.jpg" data-mid="214115211" border="0"  src="https://freight.cargo.site/w/1000/i/c39469b983291c26d95a0e94d4a893d5d342e28dc0f038e33efa543dc5556a26/_MG_5852.jpg" /&#62;

&#60;img width="3000" height="4501" width_o="3000" height_o="4501" data-src="https://freight.cargo.site/t/original/i/93b185089c4c83db17c643c85c94303ea2ff4e69df6bde4b254a060e3ee7e570/_MG_5863.jpg" data-mid="214115205" border="0"  src="https://freight.cargo.site/w/1000/i/93b185089c4c83db17c643c85c94303ea2ff4e69df6bde4b254a060e3ee7e570/_MG_5863.jpg" /&#62;




WHAT- Utopia Exists but Now It's OverWHO -&#38;nbsp; Owen Paul Armour (AUS/DK)OPENING - 29th of MAY 2024TIME - 16:00 - 18:00ON VIEW - 29th of MAY 2024 until the 28th of June 2024OPEN - Saturdays 13 to 16 or by appointmentCONTACT - @stereoexchangecph or youandme@stereoexchange.dkWHERE - Mariendalsvej 52A, st.th, 2000 Frederiksberg, DK. See map&#38;nbsp;



@stereoexchangecph#contemporaryart#art#artistrunspace#projectspaceSupported by the Danish Arts Foundation, Frederiksberg Fonden &#38;amp; Ny Carlsbergfondets
</description>
		
	</item>
		
		
	<item>
		<title>Niels Christensen (DK)</title>
				
		<link>https://stereoexchange.dk/Niels-Christensen-DK</link>

		<pubDate>Wed, 05 Jul 2023 08:30:20 +0000</pubDate>

		<dc:creator>Stereo Exchange</dc:creator>

		<guid isPermaLink="true">https://stereoexchange.dk/Niels-Christensen-DK</guid>

		<description>















Niels Christensen (DK) 



OPENEDFriday the 9th of june 17:00 - 20.00Exhibition dates9.6.23 - 8.7.23
&#60;img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/455331d750e9f852c8a3687916d7cac636930aeb1f9daefb9f711af384ba689a/1_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198264" border="0"  src="https://freight.cargo.site/w/1000/i/455331d750e9f852c8a3687916d7cac636930aeb1f9daefb9f711af384ba689a/1_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;




















What does it mean
to touch and be touched by something, someone? What lies in that touch? A
feeling of connection, reciprocity, care, healing, forgiveness? Stigma is a
branding, visible on the skin. But stigmatizing and marginalization happens
invisibly. Does a soft touch remedy the burning shame?&#38;nbsp; The “double sensation” of touch implies that
it is impossible to touch yourself and feel that touching at once. When
reaching out to touch someone, do you imagine the sensation of their skin to
yours, or having in mind their feeling of your touch? Even if the person
doesn’t recognize you, doesn’t even recognize themselves, will they feel your
touch, and presence? The humming and clicking of devices and cells transmitting
inside, between, around. 



 



A malicious devil lingers
at the heart of experience, doubting that what I perceive is the same as what
you perceive; that our perceptions and ideas of the world correspond. We reach
out towards the same object, but the sense and sensation of it, and how we
attach ourselves to it, differ. And this devil is an even trickier one when it
comes to self-perception and the blind spots to our own being illuminated
through the eyes of others. Deflecting mirrors all around.



 



The video for the
exhibition showing Diana entering the Versailles is a loop of that short
flaring moment where she is lit up by the photographers’ flashing lights. What
does the footage of Diana deliver to us? Does she even exist outside that
flash? For long, the technique of the photograph held an indexical promise of
truth: what is in the photograph was at some point present in front on the
shutter. In times of AI this has turned into mere probability, or plausibility.
AIs hallucinate information from noise, and we are presented with faces and
happenings more real than reality. Nothing is left unretouched.



 



We are surrounded
by and connected to images and technologies calculating and depicting, but also
producing and manipulating, our perceived world. Our eyes are capable of
processing 36,000 pieces of information per hour, sending electrical signals to
the brain that processes and interprets as well as being formed and molded by
the input. The notion of plasticity within neuroscience replaces the idea of
the brain as machine with that of a brain-world. Some (silicon billionaires
mainly) fantasize about the possibility to upload their brain to a digital
infrastructure and are decapitated at death to have their brains frozen down.
It will require a feedback system as complex as the human body to sustain those
minds. 



 



My intuitions – of
my body, my perceptions, and my own person – are indeed pragmatic illusions
sustaining my functioning among phenomena and other beings, a sort of
scaffolding device, an exoskeleton of conventions, and agreements, bouncing me
softly off surfaces without collision or unwanted friction. But what do I even
know of this cohort of cells, transmitters, and neurons that I am? Medicine may
explain to me the condition that I suffer from and its pathologies, but it
fails to translate values and indications to the lived experience of dealing
with symptoms on an everyday basis and the aspirations, or ambitions, I hold under my breath. In an
institutional setting my body is laid out, monitored, supported, and manipulated
through so many devices from sensory floors, mechanical, electronical, or
digital prostheses, and (bio)-chemical substances. The internal rhythms of the
body meet those of the surveilling apparatus of the institution. Does the good
patient ever become impatient? Or does being a patient require to give over
your body to the hands of others. Trusting their technological schema.&#38;nbsp; 



 



How
to come to terms with our reality and the reality of what we are as physical,
biological, and thinking beings in a time when we put great trust in
technologies’ ability to enhance, interpret, and repair? This question lingers
as the centre of Niels Christensen’s exhibition displaying examples of photographic
and filmic techniques, audio- and visual effects connected to brain impairments
and repairs, as well as healing touches, and a general curiosity towards
relations between mind, body, world, and technologies. Presented in a
down-played manner that reflects an educational or communal bulletin
board aesthetics, the associative, networked posters leave space for the viewer
to zoom in on details and nuances according to the movements of eyes and
attention.






Text: Anne Kølbæk Iversen







&#60;img width="3000" height="4500" width_o="3000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/f100b2c0a4fe466634c44b3df1b9321d4ca441f44f3c3aa646f34412e3de65c6/14_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198252" border="0"  src="https://freight.cargo.site/w/1000/i/f100b2c0a4fe466634c44b3df1b9321d4ca441f44f3c3aa646f34412e3de65c6/14_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;&#60;img width="4499" height="3000" width_o="4499" height_o="3000" data-src="https://freight.cargo.site/t/original/i/8b8a51301249723d641df71d0fcef6653f6be21ccbd7b3cc3008e8adfcb997fd/2_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198259" border="0"  src="https://freight.cargo.site/w/1000/i/8b8a51301249723d641df71d0fcef6653f6be21ccbd7b3cc3008e8adfcb997fd/2_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;&#60;img width="4499" height="3000" width_o="4499" height_o="3000" data-src="https://freight.cargo.site/t/original/i/e0d1c0b5b8cdc9697f355bd33ee734d328985cb349ca6bcebb81af243778656f/13_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198260" border="0"  src="https://freight.cargo.site/w/1000/i/e0d1c0b5b8cdc9697f355bd33ee734d328985cb349ca6bcebb81af243778656f/13_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;&#60;img width="4499" height="3000" width_o="4499" height_o="3000" data-src="https://freight.cargo.site/t/original/i/14bcecb36008a336557c1c247d61c2c4580d17c3e577457a55fc94f775076ea8/7_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198254" border="0"  src="https://freight.cargo.site/w/1000/i/14bcecb36008a336557c1c247d61c2c4580d17c3e577457a55fc94f775076ea8/7_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;
&#60;img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6f0b97bebd36fffdae42903c19cfd9b257a1bd3c62e60ec1c1825334620d5e14/8_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198258" border="0"  src="https://freight.cargo.site/w/1000/i/6f0b97bebd36fffdae42903c19cfd9b257a1bd3c62e60ec1c1825334620d5e14/8_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;&#60;img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/c886f7fa3dd8f2403a4c7c25dc2f603fcc5ee6501d6cc344a46125ddeb9836da/3_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198257" border="0"  src="https://freight.cargo.site/w/1000/i/c886f7fa3dd8f2403a4c7c25dc2f603fcc5ee6501d6cc344a46125ddeb9836da/3_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;&#60;img width="4501" height="3000" width_o="4501" height_o="3000" data-src="https://freight.cargo.site/t/original/i/5b1ea4704b9d4761f976893898a38e812163595349518e44f30c2a79eb12746e/4_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198263" border="0"  src="https://freight.cargo.site/w/1000/i/5b1ea4704b9d4761f976893898a38e812163595349518e44f30c2a79eb12746e/4_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;&#60;img width="4499" height="3000" width_o="4499" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3f58bfaaf29ded006775b4009ccf1dcee28e6699c38a28542c2ce673b9750d73/5_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198262" border="0"  src="https://freight.cargo.site/w/1000/i/3f58bfaaf29ded006775b4009ccf1dcee28e6699c38a28542c2ce673b9750d73/5_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;&#60;img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/e0244dc0e1e694e8ce6e7dcd315f0d17ac0a10fc4812032c0cbe62f4807d9140/6_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198261" border="0"  src="https://freight.cargo.site/w/1000/i/e0244dc0e1e694e8ce6e7dcd315f0d17ac0a10fc4812032c0cbe62f4807d9140/6_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;&#60;img width="3000" height="4500" width_o="3000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/56e26d4654bb7458868f6f3c022279ae6766260994ef3b99f8a1d2480d366231/9_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198255" border="0"  src="https://freight.cargo.site/w/1000/i/56e26d4654bb7458868f6f3c022279ae6766260994ef3b99f8a1d2480d366231/9_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;
&#60;img width="3000" height="4500" width_o="3000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/34b8b772dbf935fa232c68d2e4f783e608d5faa391ec1ea21ce34362160f2380/10_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198253" border="0"  src="https://freight.cargo.site/w/1000/i/34b8b772dbf935fa232c68d2e4f783e608d5faa391ec1ea21ce34362160f2380/10_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;
&#60;img width="3000" height="4499" width_o="3000" height_o="4499" data-src="https://freight.cargo.site/t/original/i/c899efb41d66c5e286866b8b2cdd096ceb51cdd4541b407439185b1b95e1ec68/11_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198251" border="0"  src="https://freight.cargo.site/w/1000/i/c899efb41d66c5e286866b8b2cdd096ceb51cdd4541b407439185b1b95e1ec68/11_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;&#60;img width="4499" height="3000" width_o="4499" height_o="3000" data-src="https://freight.cargo.site/t/original/i/82484ba2d9e43ec6f6243fa991b2b32a215693ee74f0b222e1f81eefaeada97d/12_Niels-Christensen-at-Stereo-Exchange.jpg" data-mid="184198256" border="0"  src="https://freight.cargo.site/w/1000/i/82484ba2d9e43ec6f6243fa991b2b32a215693ee74f0b222e1f81eefaeada97d/12_Niels-Christensen-at-Stereo-Exchange.jpg" /&#62;

Photos: Kevin MalcolmExhibition curated by Owen Paul Armour




Mon-Aural is the latest exhibition series at Stereo Exchange, flipping the format to solo shows of emerging artists and late-career artists, juxtaposing past and future like a ball bouncing randomly on a linear timeline.




















WHO -&#38;nbsp; Niels
Christensen (DK) 
OPENING - 9th of June 17:00 - 20:00 
ON VIEW - 9th of June 2023 until the 8th of July 2023 
OPEN - Saturday the 10th of June 13 to 16 and then by
appointment 
CONTACT - @stereoexchangecph or youandme@stereoexchange.dk 
WHERE - Mariendalsvej 52A, st.th, 2000 Frederiksberg,
DK. See map



www.stereoexchange.dk








@stereoexchangecph#contemporaryart#art#artistrunspace#projectspaceSupported by the Danish Arts Foundation, Frederiksberg Fonden &#38;amp; Ny Carlsbergfondets
</description>
		
	</item>
		
		
	<item>
		<title>Malte Frej Linnebjerg (DK)</title>
				
		<link>https://stereoexchange.dk/Malte-Frej-Linnebjerg-DK</link>

		<pubDate>Thu, 25 May 2023 14:34:06 +0000</pubDate>

		<dc:creator>Stereo Exchange</dc:creator>

		<guid isPermaLink="true">https://stereoexchange.dk/Malte-Frej-Linnebjerg-DK</guid>

		<description>Malte Frej Linnebjerg (DK)OPENEDFriday the 28th of MAY 17:00 - 20.00Exhibition dates28.05.23 - 28.06.23
&#60;img width="4804" height="3202" width_o="4804" height_o="3202" data-src="https://freight.cargo.site/t/original/i/bf17e0a4dae9785b39c1c5648243995cdb30c8b4ee9a81ce5cd347c8950622fd/_MG_4690.jpg" data-mid="179945611" border="0"  src="https://freight.cargo.site/w/1000/i/bf17e0a4dae9785b39c1c5648243995cdb30c8b4ee9a81ce5cd347c8950622fd/_MG_4690.jpg" /&#62;
Under no circumstances will they be able to not shop. They inhabit mandatorily casual flats and mandatorily well-intentioned mindsets and with their steady income they’re destined for apologetic ownership of high-end craft. Various en vogue conversation topics are being treated with impeccable care as they browse through showrooms or sunlit flea markets. They’re on the lookout for significant surfaces and textures while their concerns are global: they’re very much aware that they cannot just care about their aesthetic hobbies. They enjoy sports in a moderate, in-depth-podcast-listening way and they also enjoy design as a mode of expression to easily crave and admire, this is why they’re always able to attend dinner parties with a committing grace. They’re not downright polished but no edges are raw. The serum segment.

People climb mountains because it is a difficult task. They take delight in overcoming obstacles. The obstacles in climbing a mountain are physical. A climb to a summit means: endurance, persistence and willpower.- Google
Destination: A black lake in a naked forest in a frozen afternoon in a reliable welfare state. Lucky northern forests thrive and lucky northern citizens thrive, and no amount of lowkey tents pitched in ideally shaded pine glades will probably make up for the fact that lovely gear prevail over existential realizations. This lake is echoing with peace, it is an obvious setting for cultivating solitude and weren’t loneliness and imagination always interwoven. Strong solo heads bursting with concealed anxiety makes lighting a fire the only solution for any evening. Fires demand being looked at in contemplation, and this action works well with uttering no words. They grill their fish under a glass-colored sunset, it all looks very beautiful and they alternately cherish and curse this setup. The unspoken-ness is inevitable. Discussions and fights and emotional elaboration seem to be equally challenging, but landscapes always forgive.
A summit meeting is an international meeting of heads of state or government, usually with considerable media exposure, tight security, and a prearranged agenda. Notable summit meetings. include those of Franklin D. Roosevelt, Winston Churchill, and Joseph Stalin during World War II.- Google
They apparently don’t have a hard time making decisions. They search and search in order to improve and improve and the blurred outline of a goal might exist, but it’s certainly not possible/satisfying to fully reach it. Their language is infused with function and logic, it is a civilian language particularly suited to never really disclose anything. Flawless suits during the week, charging countryside batteries on weekends behind multiple shades. Of course, they’re tired and their visions are decreasing too, but something sprouts in their milky eyes when they face potential victory. Tempo is God. Getting up there is not easy and we will adore and desire and chase them for their mute attempts until monoliths sincerely soften.
Text authored by Nanna Friis.
Exhibition curated by Owen Paul Armour&#60;img width="4548" height="3032" width_o="4548" height_o="3032" data-src="https://freight.cargo.site/t/original/i/2ac991ca3a260f1b8b204142ab22c8d2fb2bd78401e7db6086dd2d4e410e263b/_MG_4689.jpg" data-mid="179945622" border="0"  src="https://freight.cargo.site/w/1000/i/2ac991ca3a260f1b8b204142ab22c8d2fb2bd78401e7db6086dd2d4e410e263b/_MG_4689.jpg" /&#62;&#60;img width="4574" height="3050" width_o="4574" height_o="3050" data-src="https://freight.cargo.site/t/original/i/4f7659131813b5f52ddc698e1f0ab203691cd460d2e68b439d105a9398a8baec/_MG_4691.jpg" data-mid="179945621" border="0"  src="https://freight.cargo.site/w/1000/i/4f7659131813b5f52ddc698e1f0ab203691cd460d2e68b439d105a9398a8baec/_MG_4691.jpg" /&#62;
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&#60;img width="5508" height="3671" width_o="5508" height_o="3671" data-src="https://freight.cargo.site/t/original/i/f4ed71351677e44745c0346b288539a730db73228802afab28bf7cc26c9ecc24/_MG_4702.jpg" data-mid="179945616" border="0"  src="https://freight.cargo.site/w/1000/i/f4ed71351677e44745c0346b288539a730db73228802afab28bf7cc26c9ecc24/_MG_4702.jpg" /&#62;&#60;img width="5246" height="3498" width_o="5246" height_o="3498" data-src="https://freight.cargo.site/t/original/i/e90be4d94242dfec7bc57fe28e9fb929080940a4c021594b3af5b5e9712e587a/_MG_4687.jpg" data-mid="179945623" border="0"  src="https://freight.cargo.site/w/1000/i/e90be4d94242dfec7bc57fe28e9fb929080940a4c021594b3af5b5e9712e587a/_MG_4687.jpg" /&#62;&#60;img width="5128" height="3420" width_o="5128" height_o="3420" data-src="https://freight.cargo.site/t/original/i/274294390e716167c0b76954f33fcdbbb4e5462f2b8e275d3209353afa8de1e3/_MG_4700.jpg" data-mid="179945615" border="0"  src="https://freight.cargo.site/w/1000/i/274294390e716167c0b76954f33fcdbbb4e5462f2b8e275d3209353afa8de1e3/_MG_4700.jpg" /&#62;&#60;img width="3506" height="5259" width_o="3506" height_o="5259" data-src="https://freight.cargo.site/t/original/i/38d55e8b3a005c716ac1c2f070d96114464332f904f718f7872e5496008bebc6/_MG_4704.jpg" data-mid="179945618" border="0"  src="https://freight.cargo.site/w/1000/i/38d55e8b3a005c716ac1c2f070d96114464332f904f718f7872e5496008bebc6/_MG_4704.jpg" /&#62;
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&#60;img width="2080" height="2603" width_o="2080" height_o="2603" data-src="https://freight.cargo.site/t/original/i/879efe0305196cc81e2ddbbcc9132fffa56b26f3e3035366dc026c18842e50b2/Glasses-closeup.jpg" data-mid="179946764" border="0"  src="https://freight.cargo.site/w/1000/i/879efe0305196cc81e2ddbbcc9132fffa56b26f3e3035366dc026c18842e50b2/Glasses-closeup.jpg" /&#62;


Mon-Aural is the latest exhibition series at Stereo Exchange, flipping the format to solo shows of emerging artists and late-career artists, juxtaposing past and future like a ball bouncing randomly on a linear timeline.
WHO -&#38;nbsp; Malte Frej Linnebjerg (DK)OPENING - 28th of April 16:00 - 20:00ON VIEW - 28th of April 2023 until the 28th of May 2023OPEN - Saturdays 13 to 16 or by appointmentCONTACT - @stereoexchangecph or youandme@stereoexchange.dkWHERE - Mariendalsvej 52A, st.th, 2000 Frederiksberg, DK. See map



@malte_fra_naestved@stereoexchangecph#contemporaryart#art#artistrunspace#projectspaceSupported by the Danish Arts Foundation, Frederiksberg Fonden &#38;amp; Ny Carlsbergfondets
</description>
		
	</item>
		
		
	<item>
		<title>Luke Fowler (SCOT) + Kasper Akhøj (DK)</title>
				
		<link>https://stereoexchange.dk/Luke-Fowler-SCOT-Kasper-Akhoj-DK</link>

		<pubDate>Tue, 11 Apr 2023 11:41:09 +0000</pubDate>

		<dc:creator>Stereo Exchange</dc:creator>

		<guid isPermaLink="true">https://stereoexchange.dk/Luke-Fowler-SCOT-Kasper-Akhoj-DK</guid>

		<description>Luke Fowler (SCOT) + Kasper Akhøj (DK)


OPENINGFriday the 10th of March 17:00 - 20.00Exhibition dates10.03.23 - 8.04.23










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OPENING this Friday the 10th of March 17:00 - 20.00Stereo Exchange sways its first show gently into 2023 with Luke Fowler (SCOT) &#38;amp; Kasper Akhøj (DK) at the bow.This show posits a symbolic view of utopia, a fragile fragment of imagination, built with opaque materials but with an ephemeral exhaust that releases the pressure as we’re zoomed back down to eye level.Monuments and buildings that scrape the sky are built to power and the people that stole it, creating a world where the unbalanced and crooked is the norm, even the ancient evolved creatures of our forests have been forced to be prostitutes to capital as our jungles burn, all we can do is rub and scratch ourselves on the facades of the buildings that stand in their place. Slowly wearing the intentionally rough surface away, our only hope is that our voices can pierce their armour, split and crumble their design that has walled us in since the greenery was eradicated, maybe we can flatten out and look from the ground up into the macro and start again?Intense nostalgia keeps this as a fantasy, we look inward and backward and towards the trinkets and collections and only see our next personal goal, the forests still burn and the erections of monuments and buildings in their place still prevail, oh sun, we miss you, you play with us, you will take five billion years to really set us free, in the meantime, hold on, we can recognise these waves, the visualised waves coming over us, the brutalism will stop who it wants, but even the ones that are the intended fall in love, there is no wafer thin dream that will release us from the ellipse of behaviour until then.Thank you sun, we are all thankful to see you again in some months.To you who are reading, welcome to the exhibition this Friday.· · WHO&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; -&#38;nbsp; Luke Fowler (SCOT) + Kasper Akhøj (DK)· · OPENING&#38;nbsp; -&#38;nbsp; Friday the 10th of March 17:00 - 20:00· · ON VIEW&#38;nbsp; &#38;nbsp;- &#38;nbsp;From the 10th of March 2023 until the 8th of April 2023· · OPEN&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;- &#38;nbsp;Saturdays between 13 to 16 and by appointment· · CONTACT&#38;nbsp; -&#38;nbsp; @stereoexchangecph or youandme@stereoexchange.dk· · WHERE&#38;nbsp; &#38;nbsp; &#38;nbsp; -&#38;nbsp; Mariendalsvej 52A, st.th, 2000 Frederiksberg, DK. See mapThe exhibition opening hours could be subject to change due to unforeseen circumstances.@kasperakhojKasper @ EDB projects@lukefowler78luke-fowler.comLuke Fowler @ The Modern Institute@stereoexchangecph#contemporaryart#art#artistrunspace#projectspaceSupported by the Danish Arts Foundation, Frederiksberg Fonden &#38;amp; Ny Carlsbergfondets</description>
		
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	<item>
		<title>Kevin Scott Malcolm (SCO) + Owen Paul Armour (AUS)</title>
				
		<link>https://stereoexchange.dk/Kevin-Scott-Malcolm-SCO-Owen-Paul-Armour-AUS</link>

		<pubDate>Mon, 02 May 2022 09:07:29 +0000</pubDate>

		<dc:creator>Stereo Exchange</dc:creator>

		<guid isPermaLink="true">https://stereoexchange.dk/Kevin-Scott-Malcolm-SCO-Owen-Paul-Armour-AUS</guid>

		<description>Kevin Scott Malcolm (SCO) + Owen Paul Armour (AUS)


OPENINGSaturday the 19th of March 13.00 - 17.00Exhibition dates19.03.22 - 23.04.22










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Stereo Exchange opens their latest exhibition blending the thoughts and pressures of two artists working across the conceptual and distressed, architecture and its blaring notes. Icy Instrumentals and rubbing imagery.A waterline stains into the future, at its most passive it’s shunning the perfect paint job sitting up upon the mastery of the architecture, modern and ancient and without regard, at its most vicious we feel it in our past, the water that swallowed everything whole and the plague that the tepid water brings as it's evaporating into the lungs, the leaves and the skies to be poured back on us.We open the cellar door, the ceiling is low and cramped, we wrestle around for the light switch and we are guided by the sweet smell of mold as we clamber to the wall, and switch on the light, to see our wool coats are laden in a fine dusting of wall-sprouting mushrooms, that the water sputtered up in its last cough and gift of allergens, then, dodging the beams we see the black line graduating down the walls into a pale yellow smear that is enlightened by a bare globe that now shows piles of swollen photo books and old cigarette packets that are strewn about as they once were when they were bobbing to and fro afloat and slowly let down to there oddly patterned resting place.We came here for the memory, the memories you try to retain through possession, holding onto them for the hope they never happen again.Even as the structure that protects us is no more, that indignant watermark stone will be found rolling through watery ravines and travelling to the far reaches to be built up hidden and waiting to be exposed once more, can’t they see the sun setting fast, those same old spores underlying the new paint are gathering, the ceilings arch away and we repeat these same rituals and wait for the day we are once again exposed in this new town, our town, who’s going to save it if we all don’t, we all need protection, but just as they say nothing good is going to last.

· · Kevin Scott Malcolm (SCO) + Owen Paul Armour (AUS)· · OPENING Saturday the 19th of March 13:00 - 17:00· · ON VIEW from 19th of March 2022 until the 23th April 2022 · · OPEN Saturday between 13 to 16
· · Contact @stereoexchangecph or youandme@stereoexchange.dk to see the exhibition by appointment.
· · Mariendalsvej 52A, st.th, 2000 Frederiksberg, DK. See map 

The exhibition opening hours could be subject to the Covid19 pandemic, always check our website or instagram for any changes in the opening hours and dates. The exhibition is also viewable by appointment throughout the exhibition period just send us an email youandme@stereoexchange.dk.


https://stereoexchange.dk/



Supported by: 
The Danish Arts Foundation - Danmarks Nationalbanks Jubilæumsfond af 1968  &#38;amp; Fredriksberg Fonden, Ny Carlsbergfond</description>
		
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